Capturing the materiality in print.
Chris’s paintings are built on the tactile physicality of oil — impasto crusts, glassy glazes, the slow layering of pigment that catches light differently from every angle. Translating that to a print is delicate work; the paper has to do half the lifting.
For his giclée editions, Chris prints with us on two papers chosen for exactly this reason: the felt-marked surface of Canson Aquarelle Rag, and the rough natural-fibre tooth of Hahnemühle Agave. Both deliver the colour saturation his work demands while keeping the painterly soul of the original intact.
Canson Aquarelle Rag
Watercolour fine-art paper · 100% cotton
- 310gsm
- Felt-markedfinish
- 100% cottonfibre
- Mould-madeprocess
Hahnemühle Agave
Natural Line · sustainable agave fibre
- 290gsm
- Mattfinish
- Agave sisalfibre
- Natural Lineprocess



