Chris Rivers in front of his circular cosmic painting at his Pontone Gallery solo exhibition
Artist Showcase

Chris Rivers

Painter of the cosmos · Manchester

The Work

A self-taught painter, ten years in.

Chris Rivers is a self-taught artist from Manchester, born in 1983. A former professional rock drummer, he picked up oil paint in 2014 — and within ten years had become one of the most distinctive abstract painters working in Britain today. His large-scale oil paintings are dramatic, charged, and full of incident: turbulent skyscapes, swirling celestial vortices, and great hazes of saturated colour that, on closer inspection, are quietly populated by tiny figures, flowers, insects, and rococo flourishes.

The work explores what Chris calls a contrast between innocence and something darker. Soft light filters through complementary mists; rich, sublime colour swells then recedes; and within the storm, hidden detail emerges. The result is a world that holds two registers at once — the vast and the intimate, the cosmic and the human.

Today Chris is represented internationally by Pontone Gallery in London and Friedrichs Pontone in New York, with recent solo exhibitions including Supernova, Cosmos, Universal, and Celestial Gardens.

Currently Showing

Supernova II at Pontone Gallery, London

Thomas Chard with Chris Rivers in front of one of his cosmic blue circular paintings at Supernova II, Pontone Gallery, April 2026
Thomas Chard with Chris Rivers at Pontone Gallery, opening day of Supernova II.

Chris’s first major solo show of 2026 traces a decade of work — from industrial landscapes through the cosmic voids of cherubs and astronauts, into recent paintings drawn from British myth, folklore and astrological lore. The work sits in the lineage of Turner and John Martin: vigorously applied oil paint, ultramarines and rosy pinks against viridian green, a small human figure making its way through the sublime and the indifferent.

24 April – 30 May 2026 · Pontone Gallery, 74 Newman Street, London W1T 3DB

View the exhibition at pontonegallery.com →

It’s about the things you don’t notice at first — a contrast between innocence and something darker.

Chris Rivers · on his work

Working with Redcliffe

Capturing the materiality in print.

Chris’s paintings are built on the tactile physicality of oil — impasto crusts, glassy glazes, the slow layering of pigment that catches light differently from every angle. Translating that to a print is delicate work; the paper has to do half the lifting.

For his giclée editions, Chris prints with us on two papers chosen for exactly this reason: the felt-marked surface of Canson Aquarelle Rag, and the rough natural-fibre tooth of Hahnemühle Agave. Both deliver the colour saturation his work demands while keeping the painterly soul of the original intact.

Chris’s chosen paper

Canson Aquarelle Rag

Watercolour fine-art paper · 100% cotton

  • 310gsm
  • Felt-markedfinish
  • 100% cottonfibre
  • Mould-madeprocess
Acid & lignin free · archival quality
& also

Hahnemühle Agave

Natural Line · sustainable agave fibre

  • 290gsm
  • Mattfinish
  • Agave sisalfibre
  • Natural Lineprocess
Acid & lignin free · sustainable, archival

Hand-finished in our Bristol studio since 1982. Employee-owned. Hahnemühle & Canson Certified Print Studio.

Want prints like this for your work?

Print your art with the same care.

Whether you work in oil, acrylic, watercolour, or photography, we’ll help you find the right paper to do justice to your originals. Order an archival giclée print, request a free file check, or browse our full range of Hahnemühle, Canson, and St Cuthberts Mill papers.